Dora
is living life without any direction, majoring in the extremely general
"liberal arts" and not really finding much inspiration in school or her
work in a coffee shop. When her grandmother who raised her suffers a
stroke, Dora runs home to be by her side, leaving behind school, work,
and her flirty boss who she has a crush on. At home Dora takes over the
running of her grandmother's vintage clothing store and discovers
stories her grandmother would give to customers about the dresses they
were buying. During this tragic time Dora learns new things about
herself, her grandmother, and her long dead parents that she never knew
before. Throughout everything Dora is faced with the choice of her
lifetime: leave school and run her grandmother's shop (and spend time
with the cute contractor) or go back to school (and her crush) and get
her degree.
Overall thoughts:
When I first heard the plot of
the book I was excited to read it. How could I not love a book about
vintage dresses? The answer: very easily. Although I loved the story,
the prose was absolutely horrible in my opinion. Yes, it told the story,
but the sweetness of the story could not overwhelm the bad writing.
There was too much detail in the story and though detail can be good-it
bored me to death. Extra detail must either be useful information that
comes into place later, words to make the story flow, or entertaining.
The details here were none of the above. It would be like telling the
story of Little Red Riding Hood and describing the exact path she took
through the forest complete with directions and tree species. Some of
these extra details were negligible and easily ignored but what really
bothered me were the tangents the author would go on that would last
pages and pages. I agree that the background story is important, but
sometimes it would be in the middle of a scene and by the time we were
back in the present I had totally forgotten what was going on. (The
tangents I'm referring to are not the secret lives.) The reason why I
gave this book such a high rating was because I did love the story
itself, outside of the words.
Characters:
I couldn't even find
one character that I liked. Every single person was completely
one-sided. Dora was unsure, Gary was flirty and self-centered, Dora's
aunt and cousin were vapid, Maux was outgoing and slightly nuts in a
cute way, Mimi was the perfect grandmother, and Con was the perfect man.
Every single person had only one side to them, even though the story
did provide space for them to extend their personalities. There were
times of happiness and sadness, but each character was exactly the same
in every situation.
Narration:
When the story is being told
from the first-person, it should not feel like the third person.
Elements of personality should shine through and taint the rest of the
story. However, because Dora has no personality and no opinions other
than "vintage dresses rock!" it did not come across as first-person.
Also-in a book about vintage dresses I expect some salivating
descriptions, but was disappointed by how boring they were. And now I
will finish this review because I have a sudden craving for Modcloth.
2.6 stars. The story would make an amazing movie but the book just didn't cut it for me.
Dora has always taken
the path of least resistance. She went to the college that offered her a
scholarship, is majoring in "vagueness studies," and wears whatever
shows the least dirt. She falls into a job at the college coffee shop,
and a crush on her flirty boss, Gary.
Just when she's about to
test Gary's feelings, Mimi, the grandmother who raised her, suffers a
stroke. Dora rushes back home to Forsyth, NC, and finds herself running
her grandmother's vintage clothing store. The store has always been a
fixture in Dora's life; though she grew up more of a
jeans-and-sweatshirt kind of girl, before she even knew how to write,
Mimi taught her that a vintage 1920s dress could lift a woman's spirit.
While
working there, Dora befriends Mimi's adorable contractor, Conrad. Is he
after Dora, or is working from a different blueprint? And why did Mimi
start writing down--and giving away--stories of the dresses in her shop?
When Mimi dies, Dora can't get out of town fast enough and
cedes control of the store to her money-hungry aunt who wants to turn it
into a t-shirt shop for tourists. But ultimately, she returns to
Forsyth, willing to battle whatever may stand in the way of her staying
there. Dora can trade her boring clothes for vintage glamour, but can
she trade her boring life for one she actually wants?
No comments:
Post a Comment